Every Bitch For Himself by Andy Seven

It's 1978, and Hollywood Boulevard is burning with punk rock energy and with it the advent of career criminal Big Jason Gulliver, an amoral monster in silver hair, torn t-shirt and army fatigues. Big Jason plans to knock over Rocket USA, the most popular punk club in town, using his friends who all work on the inside of the club. Standing in his way are three psychopaths who run Rocket USA: Jack Sterling, owner of the club, a has-been television star with severe OCD; Chuck Steakhouse, punk surfer thug with a capacity for rape and torture; and Miggy Sanchez, a thug every inch the equal of Big Jason in amorality. Every Bitch For Himself captures all the energy of the 1978 Hollywood punk scene with episodes of violent rock & roll, perverse cult rituals, and nightmarish parties. Just as punk rock bands twisted old songs to fit its explosive style, Every Bitch For Himself corrupts old film noir scenes culled from The Killing, The Asphalt Jungle, Born To Kill and The Killers, to name a few, to create a new punk rock crime novel.